Studying hard in the cold window seems to be a portrayal of the life of many students in ancient and modern times studying hard. However, in the Qing Dynasty, the children of the Manchu royal family who grew up in the palace and were born with silver spoons in their mouths also needed to receive strict civil and military education. According to records, the elder brother's study only had five days off from classes throughout the year, regardless of whether it was cold or hot, so the studies were very heavy. The Paper has learned that the National Palace Museum in Taipei has recently launched a new exhibition - "Historical Documents from the Qing Dynasty in the Museum's Collection: My Brother's Development". The exhibition features "My Brother Goes to School", "My Brother's Homework Chart" and "My Brother's Teachers". "Three units, through the archives collected by the hospital, lead the audience to explore the true face of A Ge's study and life in the Qing Dynasty.

"Age" is the name given to the children of close clan clans in the Qing Dynasty. After the Manchus entered the Central Plains, influenced by Confucian culture, they began to attach importance to the education of elder brothers, so as to cultivate future heirs to the throne and national governance talents, so that the Manchu regime could be consolidated for a long time.

According to documents recorded in the Qing Dynasty, my elder brother has been studying in the study at three o'clock every morning since he was six years old. In addition to the Four Books and Five Classics, which are must-read for civilian scholars, he must also take Manchurian "Mandarin riding and archery" courses. Guoyu means Manchu, and cavalry means horseback archery. The Qing Dynasty paid special attention to the skills learning of clan members who went to foreign lands to hunt. As the Qing royal family came into contact with the West, astronomy, mathematics, and physics were also added to the studies in order to understand the world situation outside China.

Brother’s homework schedule emphasizes the integration of civil and military arts, and mixes Chinese and Western sciences. It is different from the emphasis on liberal arts learning in previous Chinese dynasties, but it seems to be comparable to the diverse learning areas of today’s school-age education. Although my brothers don’t need to take scientific examinations, they don’t have the pressure of competition for higher education nowadays. However, according to literature records, regardless of whether it was cold or hot throughout the year, there were only five days off from school in the elder brother's study, so the studies were not easy. The exhibition attempts to uncover the mystery of the education of Manchu princes, look at the similarities and differences of students' hard work, and provide new understanding and possibilities for current education.

Brother goes to school

Qianlong (1711-1799) went to school at the age of six. When he was twelve years old, he met his emperor Kangxi Emperor (1654-1722) for the first time at the Peony Terrace in the Old Summer Palace. He was able to fluently recite the full text of Zhou Dunyi (1017-1073) "The Theory of Love of the Lotus", because She won the emperor's heart and was taken into the palace to cultivate her carefully, becoming the heir to the throne in the future. Emperor Qianlong was proficient in all kinds of civil and military arts. He wrote more than 40,000 poems in his life, which can be said to be a profound knowledge. It also makes people wonder, what kind of education did the children of the Manchu clan who grew up in deep palaces or noble houses receive?

In the Qing Dynasty, the Shang Shufang (or Shang Shufang, A Ge Study Room) system was first established during the Yongzheng period, and it was the place where A Ge went to school. My elder brother studied from the age of six to fifteen, which is equivalent to today's primary school to middle school. Even if he has been ennobled as a prince or Baylor, he still has to go to the study room to study. Every morning at Yin Shi (three to five o'clock), I enter the study room and first learn to draw the bow, learn Manchu and Mongolian. Then I study Chinese classics from Mao Shi (five to seven o'clock) until school is over in the evening. After school, I practice riding and shooting, recite Manchu and Mongolian Chinese, review Chinese, etc., and my study life is fulfilling and compact.

During the year, only New Year's Day, Dragon Boat Festival, Mid-Autumn Festival, Wanshou Festival and elder brother's birthday are allowed to have holidays. No matter whether it is cold or hot, classes are not allowed to be suspended. In addition to the upper study room in the palace, the elder brother's classes were held in the South Study Room, Yuqing Palace and Maoqin Palace. Outside the palace were the Old Summer Palace and the Summer Resort. There is also an archery field next to the study, and there is an "arrow pavilion" in the Forbidden Palace. As for the vast Royal Mulan Paddock, it is also a key area for training brothers in riding and shooting.

"Yangjizhai Conglu" written by Wu Zhenxuan in the Qing Dynasty, Volume 4 (Volume 2), published by the Wu family in Qiantang in the 22nd year of the Guangxu reign of the Qing Dynasty, collected by the National Palace Museum in Taipei

Today's people want to find out the age, work and rest, and learning content of elder brother's study in the study, which can be found in the notes and miscellaneous notes of the Qing Dynasty. According to the records of "Yangji Zhai Conglu" (Volume 4) written by Wu Zhenfeng (1792-1870) during the Daoguang and Xianfeng years of the Qing Dynasty: "The prince and grandson of our dynasty began to study with their foreign master at the age of six. time) to the study room, first finish studying Manchu and Mongolian, and then study Han script. The master enters Zhizhuan and uses Mao to engrave (from five to seven o'clock), and the young students draw class slips. Shifen), or until Shenke (3-5 p.m.). However, entry is exempted on New Year’s Day, and it is allowed to go straight on New Year’s Eve and the previous day’s engraving (9-11 a.m.).

"Imperial City Palace Office Map" scroll (partial), Qing Dynasty painted silk, Taipei National Palace Museum Collection

1. The upper study room, located inside the Qianqing Gate, is the place where brothers go to school. When the emperor is in charge of the government, he can visit and inspect elder brother's studies in person at any time.

2. Yuqing Palace, located to the east of Qianqing Palace, was built especially for Crown Prince Yunfeng (1674-1725) during the Kangxi period. After the Yongzheng Dynasty, it became the place where all the princes studied. Hongli, Hongzhou, Yongyan, Mianning, etc. all studied here. It was also the study place of the two emperors Tongzhi and Guangxu.

3. The Arrow Pavilion, also known as the Temple of Shooting, is located outside the Jingyun Gate in the east of the Forbidden City. There is an open flat outside the pavilion, where brothers practice horseback riding and archery. This square is also the place where the palace examinations for martial arts scholars take place on horseback, archery, and sword and stone examinations.

"Imperial Poems on Forty Scenes of the Old Summer Palace" (Deep in the Cave), volume 2, volume 2, red ink overprint from Wuying Palace in the 10th year of Qianlong's reign in the Qing Dynasty, collected by the National Palace Museum in Taipei

"Imperial Poems on Forty Scenes of the Old Summer Palace" (Deep in the Cave), volume 2, volume 2, red ink overprint from Wuying Palace in the 10th year of Qianlong's reign in the Qing Dynasty, collected by the National Palace Museum in Taipei

"Imperial Poems on Forty Scenes of the Old Summer Palace" (Deep in the Cave), volume 2, volume 2, red ink overprint from Wuying Palace in the 10th year of Qianlong's reign in the Qing Dynasty, collected by the National Palace Museum in Taipei

Deep in the cave, one of the forty sceneries of the Old Summer Palace, is located in the Fuyuan Gate of the Palace Gate District of the Old Summer Palace. Emperor Qianlong recalled that it was "the old reading room for my brothers." During the Yongzheng period, when the emperor lived in the Old Summer Palace, this was the place where my elder brother studied, so it was called the Upper Study Room in the Old Summer Palace.

"Imperial Poems on Forty Scenes of the Old Summer Palace" (Engraved Moon and Kaiyun) Volume 1, Volume 1, Vermilion Ink Overprint of the Wuying Palace Issue in the Tenth Year of Qianlong's reign in the Qing Dynasty, collected by the National Palace Museum in Taipei

"Imperial Poems on Forty Scenes of the Old Summer Palace" (Engraved Moon and Kaiyun) Volume 1, Volume 1, Vermilion Ink Overprint of the Wuying Palace Issue in the Tenth Year of Qianlong's reign in the Qing Dynasty, collected by the National Palace Museum in Taipei

The carved moon and clouds represent the Peony Terrace in the Old Summer Palace where Qianlong first met his emperor Kangxi when he was twelve years old. The Old Summer Palace was expanded by Emperors Yongzheng and Qianlong, and was largely completed in the ninth year of Qianlong (1744). Emperor Qianlong imitated the thirty-six scenes of his ancestor Kangxi's summer resort, and also selected forty scenes for the Old Summer Palace and wrote poems himself. The Peony Terrace was renamed "Moon and Clouds".

"Poems of the Imperial Summer Resort" (Wanhe Songfeng), a red ink overprint of Wuying Palace in the 51st year of Emperor Kangxi's reign in the Qing Dynasty. Collection of the National Palace Museum in Taipei.

At a young age, Hongli accompanied Emperor Kangxi to the Summer Resort, and arranged to study at the "Wanhe Pine Wind" in the palace area of the villa, where he received day and night teachings from his imperial grandfather. In the 31st year of Qianlong's reign (1766), in order to express gratitude for his grandfather's upbringing, he renamed both the Old Summer Palace and the Summer Resort "Ji'en Hall" at the same time.

Brother's homework schedule

The content of the studies for the princes of the Qing Dynasty royal family required both civil and military skills. In terms of liberal arts, just like civilian students, they read the Confucian classics that were required for the imperial examinations, and learned to write poems, compose rhymes, and write policy essays and essays. Calligraphy, painting and literature are also compulsory courses for my brother, but the focus is on the creation of calligraphy and painting, unlike students who take scientific examinations who focus on calligraphy in the "Guange style".

Manchu and Mongolian languages in the Qing Dynasty were compulsory courses for brothers, and comparing them to modern times was like learning the local dialect. Riding and shooting martial arts are the core courses of the brothers. Through hunting training activities, they exercise fitness and cultivate courage and courageous attitude. The physical training part is closer to modern physical education classes. At that time, people in the Qing Dynasty only needed to learn different languages and engage in physical or martial arts training if they were to take the translation or martial arts exams.

Influenced by the spread of Western learning to the east, Emperor Kangxi issued trainings and Emperor Yongzheng respectfully recorded the "Tingxun Motto", urging his elder brother to also know astronomy and geography, and to pay attention to Western sciences such as calendars, mathematics, and music. Some of the natural science courses that the Qing court began to learn at that time are still basic courses for students today.

Course Contents

Brother’s teaching content can be summarized as follows: 1. The Four Books and Five Classics of Chinese culture, Confucian classics such as "Historical Records", "Hanshu" and "Zi Zhi Tong Jian"; 2. Poetry and prose; 3. Manchu and Mongolian language; 4. , riding and shooting martial arts; 5. practicing calligraphy; 6. Western sciences such as astronomy, calendar, mathematics and music.

"The Imperial Clan Instructions of the Jiaqing Emperor of the Qing Dynasty" Volume (part), the 13th year of the Jiaqing reign of Emperor Renzong of the Qing Dynasty (1808), collected by the National Palace Museum in Taipei

"The Imperial Clan Instructions of the Jiaqing Emperor of the Qing Dynasty" Volume (part), the 13th year of the Jiaqing reign of Emperor Renzong of the Qing Dynasty (1808), collected by the National Palace Museum in Taipei

"The Imperial Clan Instructions of the Jiaqing Emperor of the Qing Dynasty" Volume (part), the 13th year of the Jiaqing reign of Emperor Renzong of the Qing Dynasty (1808), collected by the National Palace Museum in Taipei

"The Imperial Clan Instructions of the Jiaqing Emperor of the Qing Dynasty" Volume (part), the 13th year of the Jiaqing reign of Emperor Renzong of the Qing Dynasty (1808), collected by the National Palace Museum in Taipei

"The Imperial Clan Instructions of the Jiaqing Emperor of the Qing Dynasty" Volume (part), the 13th year of the Jiaqing reign of Emperor Renzong of the Qing Dynasty (1808), collected by the National Palace Museum in Taipei

Language learning is the primary content of my brother's study, especially Manchurian and Mongolian languages are the most important. The Qing Dynasty was an era of multi-ethnic exchanges. The Manchu rulers repeatedly emphasized the need to abide by the ancestral precepts and maintain the Manchu national characteristics of "Mandarin riding and archery." In the early years of Shunzhi, he founded flag school to train Manchu children to learn Manchu and horse riding and archery. Emperor Kangxi was afraid that "younger generations will gradually learn Chinese and forget Manchu." Emperor Jiaqing also had this worry. In the 13th year of Jiaqing (1808), he wrote The "Imperial Clan Instructions" says: "Riding and shooting in Mandarin, and studying to keep the rules", and "record a separate piece of paper and hang it in the study room", so that the princes will be vigilant after seeing the instructions, and hope that the princes will respect and abide by the ancestral precepts.

"Mottoes of the Holy Ancestor's Courtyard" issued by the Holy Ancestor Kangxi; "Motto of the Holy Ancestor's Courtyard" recorded by Emperor Yongzheng of the Qing Dynasty, published by Wuying Palace in the 8th year of Emperor Yongzheng's reign in the Qing Dynasty, collected by the National Palace Museum in Taipei

"Mottoes of the Holy Ancestor's Courtyard" issued by the Holy Ancestor Kangxi; "Motto of the Holy Ancestor's Courtyard" recorded by Emperor Yongzheng of the Qing Dynasty, published by Wuying Palace in the 8th year of Emperor Yongzheng's reign in the Qing Dynasty, collected by the National Palace Museum in Taipei

Mounted archery martial arts is a tradition of the Manchu people. The quality of mounted archery skills depends on the proficiency of horseback riding skills. The brothers have all learned bow-drawing, foot-shooting and horse-mounted archery courses since childhood. Generally, the horse-riding and archery courses are arranged after reciting scriptures, interspersed with courses of studying Chinese classics. The Holy Ancestor Kangxi's riding and archery skills were very outstanding. He mentioned in "Tingxun Motto": "The art of riding and shooting must be practiced since childhood to become proficient. There is no one who is not good at riding a horse but can be good at riding and shooting. Therefore , the royal family of the Qing Dynasty attached great importance to the riding and archery training of the brothers, and they must learn it from an early age in order to achieve the level of "people and horses can get along well with each other, fly up and down, control the chime to chase birds, and hit the target with certainty, which is refreshing to watch." .

"Records of the Pure Emperor Gaozong of the Qing Dynasty" was compiled by Qing Qinggui and others in August of the 56th year of Qianlong's reign in the Qing Dynasty. It is a small red silk edition in Chinese and is collected by the National Palace Museum in Taipei.

"Records of the Pure Emperor Gaozong of the Qing Dynasty" was compiled by Qing Qinggui and others in August of the 56th year of Qianlong's reign in the Qing Dynasty. It is a small red silk edition in Chinese and is collected by the National Palace Museum in Taipei.

Records of the archery activities and sieges of the brothers can be found in documents such as "Records" and "Registration of Daily Living" of various dynasties, as well as in poetry collections. On August 12, the fifty-sixth year of Qianlong's reign (1791), there was an archery event at the Summer Resort. Qianlong watched the emperor's grandsons shoot arrows. The emperor's grandson Mianqing (1779-1804), who was thirteen years old, shot three arrows and was awarded a yellow coat with three eyes and feathers. The emperor's great-great-grandson Zaixi, who was eight years old, also shot three arrows and was awarded a yellow coat with two eyes and feathers. Qianlong was extremely happy and wrote a poem about this event. He remembered that the emperor's great-great-grandson Zaixi was four years younger than when he accompanied the emperor Kangxi on the hunt. This legacy has been passed down for seven generations.

"Song Tuo Duo Bao Pagoda Stele" calligraphy study "Song Tuo Duo Bao Pagoda Stele" with paper clip, collected by the National Palace Museum in Taipei

"Song Tuo Duo Bao Pagoda Stele" calligraphy study "Song Tuo Duo Bao Pagoda Stele" with paper clip, collected by the National Palace Museum in Taipei

"Song Tuo Duo Bao Pagoda Stele" calligraphy study "Song Tuo Duo Bao Pagoda Stele" with paper clip, collected by the National Palace Museum in Taipei

Calligraphy practice is a must for brothers every day. Take Emperor Qianlong as an example. When he entered the palace to study in the 61st year of Kangxi (1722), he copied Tang regular script, such as "Duobao Pagoda Stele" by Yan Zhenqing (709-785). The study of the "Duobao Pagoda Stele" on display is included behind the inscription on the stele. It was marked with ink pen corrections and imprinted with the date, which is a typical example of the palace master teaching the elder brother to practice calligraphy and postscript. "Duobao Pagoda Stele" is another calligraphy practice. It is no longer a copybook. It has the meaning of free creation and writing, and the handwriting is beautiful and elegant.

"Elements of Geometry" six volumes (Western) written by Euclid, written by Wenyuange Sikuquan during the Qianlong period of the Qing Dynasty, collected by the National Palace Museum in Taipei

Emperor Kangxi learned mathematics introduced from the West from missionaries such as Bai Jin (1656-1730) and Zhang Cheng (1654-1707) from France, Nan Huairen from Belgium (1623-1688), and De Lige from Italy (1671-1746). , astronomy, music, medicine and other natural sciences. Emperor Kangxi was very interested in Western science and also introduced his brothers to Western learning. The book "Elements of Geometry" is on display, which was written by the ancient Greek Euclid, interpreted by the Italian Matteo Ricci (1552-1610), and written by Xu Guangqi (1562-1633) of the Ming Dynasty. According to the French missionary Bai Jin's "Biography of Emperor Kangxi", he described how Emperor Kangxi learned geometry. He first ordered the missionaries to teach in Manchu, and ordered two ministers who were proficient in Manchu and Chinese to write lectures. They listened to the lectures repeatedly, reviewed them, and personally In drawing, you will be proficient in geometric principles in about five or six months.

royal textbook

Books such as "Emperor's Illustrated Commentary" and "Yangzheng Illustrated Interpretation", which were drawn or reprinted by the Qing Dynasty in the courtyard's collection, use vivid illustrations to teach my elder brother about the governance deeds of ancient Chinese emperors. According to the "Daily Registration" in October of the 11th year of Xianfeng (1861), "Emperor's Pictures and Pictures" was listed as an important study material for the young emperor Tongzhi. Later, the story was narrated by two imperial teachers, Qi Jianzao and Weng Tonghe. In addition, Emperor Qianlong ordered Yongxuan (1739-1777), Yongxuan (1752-1823), Yongrong (1744-1790) and the emperor's grandson Mianning (the Emperor Daoguang, 1782-1850) to copy the "Emperor Study" written by Fan Zuyu of the Song Dynasty. "This book. This book is a history textbook dedicated to teaching the virtuous monarchs of the past dynasties, setting an example for self-cultivation, and continuing their studies. Through the process of copying, brothers can learn the necessary virtues to become wise kings.

"Emperor Studies" Mianning Zhu Silan Note Pocket Edition from the Jiaqing Period of the Qing Dynasty Collection of the National Palace Museum in Taipei

"Emperor's Illustrations" Undivided Volume (Volume 2) (Edict Confucian Lectures) Qing Dynasty Illustrated Edition Collection of the National Palace Museum in Taipei

"Challenging Confucians to Lecture on the Classics" tells the story that Emperor Xuan of the Han Dynasty (91-49 BC) ordered Confucian scholars to publish the Five Classics (i.e., the Book of Songs, the Book of Documents, the Book of Rites, the Book of Changes, and the Spring and Autumn Annals), and also ordered the prince Taifu Xiao Wangzhi (BC? -46) Commentary, so that the scriptures tend to be unified and become the standards for governing the world. The Qing Dynasty followed the tradition of Chinese emperors. Emperor Shunzhi initiated the practice of Sutra banquets and daily sermons. By imitating the Ming system's national ceremony and ceremony, lecture officials compiled sermons, demonstrating the emperor's basic national policy of advocating Confucian governance.

Brother’s teachers

Those who taught the elder brothers included the chief master, the master, and Shuda, as well as several accompanying and reading companions. Shuida (Manchu transliteration: anda) means partner and friend. He is responsible for teaching Manchu and Mongolian Chinese and riding and archery to his brothers. The emperor and the elder brother paid great attention to the etiquette of the master in the study. According to the records of the Qing Dynasty's "Bamboo Window Notes": When they first arrived in the study, the elder brother and the master bowed their hands to each other and saluted each other. Every day, the elder brothers and the master held hands as a gesture of full respect. meaning.

Because my brother was enrolled in school, he had known his master day and night for many years, and the friendship between teacher and student was profound. Even if he ascends the throne and becomes emperor in the future, he will still miss the years and scenes of getting along with his master and Shuda as a tutor. For example, Emperor Qianlong had many famous teachers at his residence, including Fu Min (1673-1756), Zhu Shi (1665-1737) and Cai Shiyuan (1681-1734), who were later known as the "Three Masters". I have constant gratitude throughout my life, and it is often expressed in my poems and works.

"Records of Emperor Gaozong Chun of the Qing Dynasty", Volume 1,324, March 54, Qianlong, collected by the National Palace Museum, Taipei

"Records of Emperor Gaozong Chun of the Qing Dynasty", Volume 1,324, March 54, Qianlong, collected by the National Palace Museum, Taipei

"Records of Emperor Gaozong Chun of the Qing Dynasty", Volume 1,324, March 54, Qianlong, collected by the National Palace Museum, Taipei

In the Qing Dynasty, only well-educated scholars with excellent academic backgrounds could serve, even if they were not from the Imperial Academy, or at least from the Jinshi family. Moreover, they were all emperor's special papers. The exhibits include Ji Huang, Wang Jie, Pan Shien, Mu Zhang'a, Weng Tonghe, Li Hongzao and others who served as the chief masters of the study room. One of them, "Records of Emperor Gaozong", records that "the master did not enter the study to discuss matters": In March of the 54th year of Qianlong's reign, for six consecutive days, no one from the chief master to the master entered the study, so they were all discussed. Got it. It can be seen from this incident that the emperor of the Qing Dynasty attached great importance to the study of his elder brothers.

"The Final Edition of the Complete Works of Weiyu Shoushi" "Original Preface to the Selected Poems and Essays of Weiyu Shoushi" written by Renzong of the Qing Dynasty; Qinggui and others were ordered to compile the final volume of "The Complete Works of Weiyu Shoushi" (Volume 1) by Wuyingdian in the sixth year of Jiaqing in the Qing Dynasty Booklet, National Palace Museum, Taipei

"The Final Edition of the Complete Works of Weiyu Shoushi" "Original Preface to the Selected Poems and Essays of Weiyu Shoushi" written by Renzong of the Qing Dynasty; Qinggui and others were ordered to compile the final volume of "The Complete Works of Weiyu Shoushi" (Volume 1) by Wuyingdian in the sixth year of Jiaqing in the Qing Dynasty Booklet, National Palace Museum, Taipei

Emperor Jiaqing named his master Zhu Gui in the "Weiyu Study Room" located in Yuqing Palace, saying that "there is more for diligent scholars, but less for lazy ones, and there is more to taste" . The "Original Preface" of "The Complete Works of Weiyu Bookstore" describes Jiaqing's schooling stage: "At the age of six, he studied classics, poetry and prose at the age of thirteen, and prose at the age of seventeen. He first studied with Master Dongshu, and studied classical poetry and classical prose from Master Shi Jun." During the development stage of Emperor Jiaqing, Master Zhu Gui guided and accompanied him, especially in writing poems and reading ancient prose.

"Report to Report that the Minister Is Seriously Sick and Seeing the Sky Without Sun (Legacy)" by Du Shoutian of the Qing Dynasty, collected by the National Palace Museum in Taipei

"Zou Baochen's Severe Sickness Looking to the Sky and No Sun (Remaining Book)" Du Shoutian, Qing Dynasty, Collection of Taipei Palace Museum

"Report to Report that the Minister Is Seriously Sick and Seeing the Sky Without Sun (Legacy)" by Du Shoutian of the Qing Dynasty, collected by the National Palace Museum in Taipei

After Du Shoutian died of illness, Xianfeng wrote on the legacy of his master Du Shoutian: "Recalling the past in the study, I inherited the clear teachings every day, and remembered the five middle schools... The old materials will never meet again, and the seventeen years of feelings are lost. Woohoo! Your misfortune is really my misfortune." Master Yu's deep expectations for his disciples seem to be "gone with the passing water" with the passing of the master.

exhibition poster

The exhibition will last until November 5th.

(The pictures and texts in this article are compiled according to the official website of the National Palace Museum in Taipei)