
Francesco Pesellino (1422-1457) was born in an artistic family in Florence, Italy. His maternal grandfather and father were both professional painters. He was m...

"Borderless Ends: Exploring East-West Cultural Exchanges from the Sea in the Sixteenth Century" was recently launched at th...

Exhibition site shooting and editing/Lu Sijia “Light that can pierce objects” is the most dazzling label of the Italian art giant Caravaggio, and light ...

Unboxing of Caravaggio's "Boy with a Fruit Basket" On December 12, "Caravaggio and the Miracle of the Baroque" will open at the ...

Leonardo and Tang Bohu in one hall: Shanghai’s East–West painting dialogue that never happened in life.

From fashion to institution—what drove the rise of Eastern Han stone carvings.

Mr. Liu Jiu'an (1915-1999) has been engaged in the appraisal and research of ancient calligraphy and painting for more than 70 years. He twice participated ...

Were there any female artists before the 19th century? In China, most women, whether it is Duan Sheng in the Yuan Dynasty or Gu Hengbo in the late Ming Dynasty,...

Three hundred seals and brushworks—how a Qing master is represented through mark and line.

Shanghai Museum’s Jiangnan garden history show—what leaving Luxiang Garden still explains about taste.

Taipei presents Qing court architectural papers—how imperial living space was planned on paper.

When we imagine the characters at Henry VIII's court, the work of Hans Holbein the Younger (1497/8-1543) almost always comes to mind. Just like the works of...