
At the Asian Art Museum—Muxi’s fruit paintings, Chan ink that still feels close enough to touch.

Shanghai Museum calligraphy brings Huang Tingjian and Mi Fu back into one December room.

Leonardo drawings headed for Shanghai—how a rare loan reframes Renaissance line for Chinese viewers.

Court hours in the Forbidden City—how clocks, ritual, and daily art kept imperial time.

Shanxi has more than 50,000 immovable cultural relics and 28,027 ancient buildings, accounting for about 52%. Ancient buildings are undoubtedly the most importa...

The exhibition "Jade Genealogy - Exhibition of Rare Genealogy Collections" curated by the Shanghai Library's Genealogy Theme Hall was officially o...

Shanghai Library exhibits rare Han monuments—stones that still teach script and empire.

What is the essence of Japanese art? Japanese art historian Tsuji Yuio believes that the characteristics of Japanese art lie in its sensibility and interest, an...

Zhi Yanzhai's re-evaluation of the 16-chapter edition of The Story of the Stone, commonly known as the Qianlong Jiaxu Zhi edition, is an important source fo...

Curator notes for Ren Bonian’s painting show—Shanghai School brushwork between elegance and change.

Japan’s Northern Song calligraphy and painting show—Li Gonglin’s Five Horses and Classic of Filial Piety.

A dense public hang of rare Han steles—“Magnificence of the Han Dynasty” in carved stone.