
At the end of the Ming Dynasty and the beginning of the Qing Dynasty, a group of painters from Huizhou either lived in hiding in the woods, or secluded themselv...

In 1534, the 59-year-old Michelangelo (1475-1564) left Florence for Rome, where he worked for nearly 30 years, painting "The Last Judgment" and other ...

From the Tao Te Ching to Search for Gods—rare Daoist classics go on view in Taipei.

Pyramid-scale loan diplomacy—Shanghai Museum and Egypt open a historic overseas civilization show.

From Jia Hu to Xi Zun—how ritual wine vessels map the most complete bronze drinking system.

Latest Sanxingdui relics—gold, jade, and ritual gear that sit beside the famous bronze figures.

Riding the dragon toward immortality—dragon imagery in Pre-Qin and Han pictorial art.

At the Metropolitan Museum—how poem and picture share one silk in classical Chinese painting.

Bronze Age Cyclades at the Metropolitan Museum—marble idols that shaped early Aegean form.

From Hongshan jade dragons to later dynasties—how one creature carries five millennia of form and belief.

"No brave man is born brave; courage is developed through training and discipline." - Vegetius Renatus, "On Military Affairs" the press has ...

Director Chu Xiaobo on the East Hall—classical Chinese art built for a global museum audience.