Souquee
  • Taipei reappears "Writing Prosperity" Wang Shizhen, "Plum in the Golden Vase" or a work of revenge
    Oct 07, 2022
  • Scene|From the "Aesthetics Across the Two Countries" to see the cultural exchanges between China, Japan, Han and Tang Dynasties
    Oct 05, 2022
  • On-site|Let's try the second spring in the world: tea paintings and tea books of past dynasties "Huishan Tea Party"
    Sep 30, 2022
  • The scene|In Shaoxing, facing Chen Laolian's high ancient and quaint beauty
    Sep 29, 2022
  • Look at the rivalry between art masters since ancient Greece: idols and opponents
    Sep 27, 2022
  • "The painting of the old lotus is a masterpiece of a generation": the famous relics in the Forbidden City meet in Shaoxing
    Sep 26, 2022
  • The Chronicle of a Mountain Villa, Half of the History of the Qing Dynasty: Taipei's New Exhibition "Summer Resort"
    Sep 25, 2022
  • Autumn Equinox|Autumn Mountains in the Forbidden City Paintings: Frost and leaves dyed, deer swimming
    Sep 24, 2022
  • "Li Bai Xingyin" and "Five Horses" reappeared, Song Dynasty painting and calligraphy exhibition in Tokyo
    Sep 22, 2022
  • From the portrait of the fifth empress dowager in the Song Dynasty to the "they" in historical writing
    Sep 19, 2022
  • "Rebirth" of the Empress and Empress's Reverence to Buddha: Real-life interpretation, revitalizing cultural relics
    Sep 18, 2022
  • Behind the "Rebirth" of the Empress and Empress's Buddha Figure: Real People's Interpretation, Revitalizing Cultural Relic
    Sep 18, 2022
  • Dong Qichang's Hometown "Looking Back": Mountain Residence and Other Authentic Works on Display in Songjiang
    Sep 17, 2022
  • The history of Hangzhou in the mountains: the mountains around the lake, the monuments still exist
    Sep 15, 2022
  • On the back of the sketches of famous artists such as Leonardo da Vinci, read another kind of truth
    Sep 13, 2022
  • Xia, Shang and Zhou in "Zhaizi China": Exploring the earliest royal capital and writing (Part 1)
    Sep 13, 2022
  • Seventy years on Bo ⑦|Why the museum has become an important platform for humanities and diplomacy
    Sep 09, 2022
  • Bailu|Reed Wild Goose in the Forbidden City Painting: Flying away and flying back
    Sep 07, 2022
  • Dialogue|Wang Zhengyu: The "Overlap of Ancient and Modern" between Lin'an City in Southern Song Dynasty and Modern Hangzhou
    Sep 06, 2022
  • Essay|A page of the "rollover" incident of the collection led by Guipan Huajian
    Sep 05, 2022
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