Topic Pillar
故宫
The Forbidden City as museum: imperial collecting, conservation, and exhibitions that reopen court culture.
25 articles

Northern Song rubbing of the Jiucheng Palace “Liqueur Spring” inscription—Shengfang Wang family copy.

Beijing Minsheng’s civilization series—thirteen sites that open early China’s deep past.

In Wenhua Hall, the Forbidden City meets Versailles—seventeenth- and eighteenth-century court dialogue.

Conservator Zhang Qing on Chengxintang paper: restoration craft and how historic paper is used again.

In the Palace Museum’s Gandhara show, the Jataka of self-sacrifice to feed a tiger links South Asian stone to Chinese Buddhist art.

Emerald sleeves and yellow crowns—narcissus as a Palace Museum “flower letter” motif.

Today is the first day of the Lunar New Year, "the first day of the first month is the dynasty of the year". At this time, the yuan will start again, ...

On the fourteenth day of the winter month of the lunar calendar, there is heavy snowfall in the twenty-four solar terms. "The big one is full. So far, the ...

Chen Hongshou (1598-1652), courtesy name Zhanghou, nicknamed Laolian, was a native of Zhuji, Shaoxing Prefecture, Zhejiang Province in the Ming Dynasty. Mr. Lu ...

Frost and turning leaves—autumn mountains as the Palace Museum paints the Autumn Equinox.

Reed-wild geese as a White Dew motif—flight, season, and Palace Museum brushwork.

Song dynasty “Soldier” leads a Palace Museum hang of figure painting across dynasties.